THEATER OF THE DEAD: LOST THEATRE, DUEL, PRACTICE MEMORY AND ARGENTINE THEATRE THEORY
The concept of the theater of the dead has been growing in extension and acquired a generic sense for us: it refers particularly to the poetic device of memory noted in the post-dictatorship theater, related to the experiences and representations of the past; in general, the boundless mass of theate...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Cena (Online) |
| Idioma: | español |
| OAI Identifier: | oai:seer.ufrgs.br:article/49709 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/cena/article/view/49709 |
| Access Level: | acceso abierto |
| Palabra clave: | Teatro de los muertos Duelo Memoria del teatro argentino. Theater of the dead Bereavement Memory of the argentinian theater. |
| Sumario: | The concept of the theater of the dead has been growing in extension and acquired a generic sense for us: it refers particularly to the poetic device of memory noted in the post-dictatorship theater, related to the experiences and representations of the past; in general, the boundless mass of theater from our predecessors, theater made by the already dead – artists, technicians and spectators – which returns, in some mysterious way, every time a theatrical event occurs. The memory of the theater of the dead is present in each new event. For all the theater we’ve done and seen, we are - even being still alive - in the historic thickness of the theater of the dead. |
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