Monstrous Childhood
The passing time, the development in structured stages, assured in the human being case, it’s not usually a monster attribute. Perennial image that does not change and that obeys other temporal lineage, incarnation of ancient stereotypes or delusional vision of a threatening continuity, the monster...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/14272 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/maaravi/article/view/14272 |
| Access Level: | acceso abierto |
| Palabra clave: | Infância Monstro Golem Childhood Monster |
| Sumario: | The passing time, the development in structured stages, assured in the human being case, it’s not usually a monster attribute. Perennial image that does not change and that obeys other temporal lineage, incarnation of ancient stereotypes or delusional vision of a threatening continuity, the monster when turned to physical form in the historical process must necessarily abandon its childhood. However, there is some chance for the innovation in this process; in this article, our analysis will be focused in two of these innovative varieties, both readings inspired by the Golem traditional narrative: Golem by Gustav Meyrink and Horia Bonciu “Sarpele cu Ochelari”. |
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