Monstrous Childhood
The passing time, the development in structured stages, assured in the human being case, it’s not usually a monster attribute. Perennial image that does not change and that obeys other temporal lineage, incarnation of ancient stereotypes or delusional vision of a threatening continuity, the monster...
| Author: | |
|---|---|
| Format: | article |
| Status: | Published version |
| Publication Date: | 2015 |
| Country: | Brasil |
| Institution: | Universidade Federal de Minas Gerais (UFMG) |
| Repository: | Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG |
| Language: | Portuguese |
| OAI Identifier: | oai:periodicos.ufmg.br:article/14272 |
| Online Access: | https://periodicos.ufmg.br/index.php/maaravi/article/view/14272 |
| Access Level: | Open access |
| Keyword: | Infância Monstro Golem Childhood Monster |
| Summary: | The passing time, the development in structured stages, assured in the human being case, it’s not usually a monster attribute. Perennial image that does not change and that obeys other temporal lineage, incarnation of ancient stereotypes or delusional vision of a threatening continuity, the monster when turned to physical form in the historical process must necessarily abandon its childhood. However, there is some chance for the innovation in this process; in this article, our analysis will be focused in two of these innovative varieties, both readings inspired by the Golem traditional narrative: Golem by Gustav Meyrink and Horia Bonciu “Sarpele cu Ochelari”. |
|---|