Beyond the vicious circle:: time and repetition in Béla Tarr's films under analysis
This article brings an analysis of repetition and time in Béla Tarr's films, with an emphasis upon The horse of Turin. Our analysis is directed to the intensive and positivity inhuman aspect of repetition, exploring it as a procedural mode of Béla Tarr's cinema. Our theoretical sources, be...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2021 |
| País: | Brasil |
| Recursos: | Universidade Federal de Ouro Preto (UFOP) |
| Repositório: | Artefilosofia |
| Idioma: | português |
| OAI Identifier: | oai:pp.www.periodicos.ufop.br:article/4048 |
| Acesso em linha: | https://periodicos.ufop.br/raf/article/view/4048 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Aethetics Béla Tarr Cinema Gilles Deleuze Philosophy Estética Filosofia |
| Resumo: | This article brings an analysis of repetition and time in Béla Tarr's films, with an emphasis upon The horse of Turin. Our analysis is directed to the intensive and positivity inhuman aspect of repetition, exploring it as a procedural mode of Béla Tarr's cinema. Our theoretical sources, besides the books dedicated to the film-maker's work, are philosophilcal writings such as those by Gilles Deleuze and those by Pierre Klossowski. |
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