Jacques Rancière and Béla Tarr: a criticism of the time of end in defense of the time after
In a moment in which the Anthropocene concept and discourses on the end of humanity are popularized, there has been an intensification of statements on the "time of end" and the demand for a new world, as a result of the exhaustion of a capitalist lifestyle. Rancière points out that the in...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Resgate (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8676474 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8676474 |
| Access Level: | acceso abierto |
| Palabra clave: | Jacques Rancière Béla Tarr Time Philosophy Knowledge Tempo Filosofia Saber Tiempo Filosofía |
| Sumario: | In a moment in which the Anthropocene concept and discourses on the end of humanity are popularized, there has been an intensification of statements on the "time of end" and the demand for a new world, as a result of the exhaustion of a capitalist lifestyle. Rancière points out that the intellectuals producing the "time of end" discourse identify themselves with the dilemma shared by all inhabitants of the end of times. However, simultaneously, they grant themselves a higher place when conceding that they possess knowledge inaccessible to others. Contrary to this position, Rancière proposes a philosophy open to others, when analyzing Béla Tarr's filmography, weaving a proposal on the "time after". |
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