Sumptuary laws, dress and female social regulations in the Queen Charlotte series

Based on the Netflix television series Queen Charlotte (2023), this article proposes an analysis of the historical conformation of clothing as a mechanism for maintaining hierarchies and imposing strict social regulations, especially on women. The plot, based on the story of England’s Queen Consort...

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Detalles Bibliográficos
Autores: Aucar, Bruna, Bon, Olga, Siciliano, Tatiana
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2024
País:Brasil
Institución:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
Repositorio:Revista dObra[s]
Idioma:portugués
OAI Identifier:oai:ojs.dobras.emnuvens.com.br:article/1729
Acceso en línea:https://dobras.emnuvens.com.br/dobras/article/view/1729
Access Level:acceso abierto
Palabra clave:Sumptuary laws
Fashion and consumption
Women
Queen Charlotte
Audiovisual narrative
Leis suntuárias
Moda e consumo
Mulheres
Rainha Charlotte
Narrativas audiovisuais
Descripción
Sumario:Based on the Netflix television series Queen Charlotte (2023), this article proposes an analysis of the historical conformation of clothing as a mechanism for maintaining hierarchies and imposing strict social regulations, especially on women. The plot, based on the story of England’s Queen Consort from 1761 to 1818, transports us to a time that, although idealized by fiction, sketches the quality of female drama in European court societies. In particular, it looks at how the fixations and permanences of the logic of sumptuary norms come about. Dress is a determining social act for women who try to reinvent their spaces of existence in the gaps of the aristocratic system. The interpretative analysis is based on the case study suggested by José Luiz Braga and the heuristic method proposed by Carlo Ginzburg, in order to capture clues offered by the diegesis for the reconstruction and understanding of the historical narrative and from the perspective of authors such as Georg Simmel and Alan Hunt.