Encruza: Yorùbá metaphysics as an epistemology of black-Brazilian dance
This article investigates the possibilities of thinking about the aesthetics of a black-Brazilian dance, based on Afrodiasporic philosophies and the epistemologies of myth, body and ancestry, a path towards the cosmoperception of scenic processes in the spectacularity of black art - a case study anc...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/26190 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/26190 |
| Access Level: | acceso abierto |
| Palabra clave: | reduto corpo dança negro-brasileira filosofias afrodispóricas body black-Brazilian dance afrodiasporic philosophies cuerpo danza negra-brasileña filosofías afrodiaspóricas |
| Sumario: | This article investigates the possibilities of thinking about the aesthetics of a black-Brazilian dance, based on Afrodiasporic philosophies and the epistemologies of myth, body and ancestry, a path towards the cosmoperception of scenic processes in the spectacularity of black art - a case study anchored in the assembly of the dance show ENCRUZA. In this way, we present images, propositions and records of the possible paths of the Afrodiasporic pantheon adopted in choreographic processes. Reflections between body, life, spectacularity and Yorùbá metaphysics that reverberate in the propositions of scenic-ontological strongholds that collaborate in the gestural construction of the artist. |
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