Olly Reinheimer’s object-dresses: repercussion of the exhibition held at MAM-RJ in 1969 on print media
This article aims to analyze and compare the different artistic criticisms and repercussions about the exhibition that took place in MAM-RJ in 1969, and the disparity of opinions regarding the event. Olly Reinheimer’s exhibition produces a contradiction in viewers, art critics, and journalists who w...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
| Repositorio: | Revista dObra[s] |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.dobras.emnuvens.com.br:article/1146 |
| Acceso en línea: | https://dobras.emnuvens.com.br/dobras/article/view/1146 |
| Access Level: | acceso abierto |
| Palabra clave: | Olly Reinheimer MAM-RJ Textile art Wearable art Arte têxtil Arte vestível |
| Sumario: | This article aims to analyze and compare the different artistic criticisms and repercussions about the exhibition that took place in MAM-RJ in 1969, and the disparity of opinions regarding the event. Olly Reinheimer’s exhibition produces a contradiction in viewers, art critics, and journalists who will publish different content for each audi-ence segment (arts, women, or entertainment) in print media at the time. The analysis of the discourses and published images is carried out in the newspapers O Dia – RJ (1951), Correio da Manhã – RJ (1901-1974), Jornal do Brasil – RJ (1891), Última Hora – RJ (1951-1991), and Jornal do Commercio – RJ (1827-2016). This article is guided by the theoreti-cal-artistic basis of Argan (1994, 2005, 2006), as well as the theoretical assumptions about the visual and material culture of Ulpiano Toledo Bezerra de Meneses (2003). |
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