Programa de residência artística Bolsa Pampulha. A experiência de um museu-atelier
This article deals with the curation in the Artist Residence Program of the Pampulha Art Museum - MAP, presents the characteristics of the first six editions of the Program and discusses the singularities of this modality here called experience curation. It analyzes the public notice and the curator...
| Autores: | , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal do Estado do Rio de Janeiro (UNIRIO) |
| Repositorio: | Museologia e Patrimônio |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/854 |
| Acceso en línea: | https://revistamuseologiaepatrimonio.mast.br/index.php/ppgpmus/article/view/854 |
| Access Level: | acceso abierto |
| Palabra clave: | Curadoria de arte. Residência artística. Museu de Arte da Pampulha – MAP. Experiência. |
| Sumario: | This article deals with the curation in the Artist Residence Program of the Pampulha Art Museum - MAP, presents the characteristics of the first six editions of the Program and discusses the singularities of this modality here called experience curation. It analyzes the public notice and the curatorial experience proposed in the editions between 2003-2016. The article also discusses how the implementation of this Program by a public museum gradually reconfigured its profile of a museum-depository to a museum-studio, reaffirming the potential of the experience in contemporary art as a trigger for mobilizing reflections. |
|---|