Criticism and authorism - an Analysis of Making Cinema in Glauber and Godard
The present essay verifies the contexts and the bases that made possible the appearance of a new kind of cinema, namely the French Nouvelle Vague and the Cinema Novo in Brazil. As a means for transformation the issue of film criticism appears as a fundamental piece, be it for the critical debate it...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Universidade do Sul de Santa Catarina (UNISUL) |
| Repositorio: | Crítica Cultural (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:portaldeperiodicos.animaeducacao.com.br:article/116 |
| Acceso en línea: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/116 |
| Access Level: | acceso abierto |
| Palabra clave: | Criticism Cinema Author Glauber and Godard Crítica Cine Autor Glauber y Godard Glauber e Godard |
| Sumario: | The present essay verifies the contexts and the bases that made possible the appearance of a new kind of cinema, namely the French Nouvelle Vague and the Cinema Novo in Brazil. As a means for transformation the issue of film criticism appears as a fundamental piece, be it for the critical debate it generated, be it for its own critical nature. Thus, around the late 1950s new cinematographic conceptions are presented, due to a cultural effervescence, both in Brazil and in France. Such a period favored the aspirations of the main filmmakers taking part in that movement: Jean-Luc Godard and Glauber Rocha. The issues they were concerned with, as the notion of author, are investigated here together with the critical trend, as a means for identifying and delineating their cinematography. |
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