A AUTOCRÍTICA DO INTELECTUAL MILITANTE NO CINEMA POLÍTICO: TERRA EM TRANSE (GLAUBER ROCHA, 1967) E LUTAS NA ITÁLIA (GRUPO DZIGA VERTOV, 1970)
In this article, we analyze the political cinema developed by Glauber Rocha and Jean-Luc Godard between the late 1960s and early 1970s, focusing on two of their films that allow elucidating comparisons of the work of the filmmakers and the attempt of dialogue between them. Our reflection will focus...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/15718 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15718 |
| Access Level: | acceso abierto |
| Palabra clave: | cinema Glauber Rocha Jean-Luc Godard. Jean-Luc Godard Political cinema |
| Sumario: | In this article, we analyze the political cinema developed by Glauber Rocha and Jean-Luc Godard between the late 1960s and early 1970s, focusing on two of their films that allow elucidating comparisons of the work of the filmmakers and the attempt of dialogue between them. Our reflection will focus specifically on the development of the self-criticism procedure in these films: Terra em Transe (Glauber Rocha, 1967) and Luta na Itália (Dziga Vertov Group, 1970). Both films use a militant intellectual protagonist to problematize their participation in a specific political context, also allowing some reflections on the role of the militant filmmaker in his context. |
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