THE TUPI GUARANI FROM RENASCER VILLAGE: REFLECTIONS ON ENUNCIATIONS OF MIXTURE AND INTERMEDIATION OF “CULTURE”
This paper aims to discuss the dialogue between the Renascer Village and other people (indians or non-indians) inside the context of production of “culture”. The village called in question is settled in Ubatuba and was formed from the occupation of a scenographic village built as film set for the fi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Espaço ameríndio |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/33386 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/EspacoAmerindio/article/view/33386 |
| Access Level: | acceso abierto |
| Palabra clave: | Tupi Guarani Guarani Mbya mistura “cultura”. Aldeia Renascer mixture "culture". |
| Sumario: | This paper aims to discuss the dialogue between the Renascer Village and other people (indians or non-indians) inside the context of production of “culture”. The village called in question is settled in Ubatuba and was formed from the occupation of a scenographic village built as film set for the filming of the feature film “Hans Staden”. In the village reside Tupi Guarani and Guarani Mbya Indians. Like other villages in the region, Renascer is included into the "universe of projects" in search of greater visibility on the national political scene and investments in order to make visible particularities of their "culture". In the Renascer Village the Tupi Guarani and Guarani Mbya (despite the differences that stand between them) are organized and complement themselves around the political and religious aspects of their communities, touting the discourse of "culture", especially in interaction with the world of non-indians, requiring their territorial rights and recognition in several aspects. |
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