"SUFOCADO EM TERRA ESTRANGEIRA": IDENTIDADE E MIGRAÇÃO EM CINZAS DO NORTE, DE MILTON HATOUM
This paper analyzes the novel Cinzas do norte (2005), by Milton Hatoum, investigating how regionalism is presented in the work through the opposing views of art of the characters Mundo and Arana. The paper also examines the relationship of the characters Mundo and Alicia with their space of origin,...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal de Sergipe (UFS) |
| Repositorio: | Travessias Interativas |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.ufs.emnuvens.com.br:article/17084 |
| Acceso en línea: | https://periodicos.ufs.br/Travessias/article/view/17084 |
| Access Level: | acceso abierto |
| Palabra clave: | Regionalismo Identidade Migração Cinzas do Norte Milton Hatoum Regionalism. Identity. Migration. Cinzas do norte. Milton Hatoum. |
| Sumario: | This paper analyzes the novel Cinzas do norte (2005), by Milton Hatoum, investigating how regionalism is presented in the work through the opposing views of art of the characters Mundo and Arana. The paper also examines the relationship of the characters Mundo and Alicia with their space of origin, analyzing the representation of migration and identity discourses. It is concluded that the work dialogues with themes and images from the regionalist tradition and contributes to the transfigurations that regionalism has been undergoing in recent decades. |
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