A peleja dos tradutores com o cordel
Cordel literature is basically orality, which Jerusa P. Ferreira considers an “extensive oral printed text”. The orality shows the influence of great singing tradition, points out the written-voice of its poets, indicates the metrics registered in the audience memory. In cordel literature, rhythm an...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2002 |
| País: | Brasil |
| Institución: | Universidade Federal do Ceará (UFC) |
| Repositorio: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufc.br:riufc/26041 |
| Acceso en línea: | http://www.repositorio.ufc.br/handle/riufc/26041 |
| Access Level: | acceso abierto |
| Palabra clave: | Cordel Oralidade Tradução Orality Translation |
| Sumario: | Cordel literature is basically orality, which Jerusa P. Ferreira considers an “extensive oral printed text”. The orality shows the influence of great singing tradition, points out the written-voice of its poets, indicates the metrics registered in the audience memory. In cordel literature, rhythm and sonority find support to transmission in written language. Voice reads the text throughout the performance which, according to Zumthor, presupposes physical presence of that who speaks and those who hear. In this work, I shall discuss some specific characteristics of this poetic production and its possible translations, presenting different solutions found by various translators and my own reflection on examples of pamphlets translated from Portuguese into French. |
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