QUADRUPED METAPHORS: VIDAS SECAS AND SÃO BERNARDO, BY GRACILIANO RAMOS
This essay intents to analyze sociologically the animalized identity of the main characters of the works Vidas Secas and Sao Bernardo, by Graciliano Ramos, by means of collecting and judging, with the help of appropriate theory, elements of each one of the texts, in order to reach conclusions that p...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/4168 |
| Acceso en línea: | https://e-revista.unioeste.br/index.php/travessias/article/view/4168 |
| Access Level: | acceso abierto |
| Palabra clave: | Identidade animalização São Bernardo Vidas Secas Graciliano Ramos. |
| Sumario: | This essay intents to analyze sociologically the animalized identity of the main characters of the works Vidas Secas and Sao Bernardo, by Graciliano Ramos, by means of collecting and judging, with the help of appropriate theory, elements of each one of the texts, in order to reach conclusions that point not only to the books themselves but that be expansive, demonstrating work’s universality. |
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