The São Gonçalo Dance and the counter-effect of politics in Quilombo da Serra do Evaristo/CE: a Dança de São Gonçalo e a contra-efetuação da política no Quilombo da Serra do Evaristo/CE
This article deals with the Dance of São Gonçalo in the Quilombola Community of Serra do Evaristo / CE and its relationship as a way of doing politics and healing bodies based on the rotation and counter-effect of the expected. To dance for São Gonçalo is to rotate, to circulate. From the body theor...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Hawò |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/65514 |
| Acceso en línea: | https://revistas.ufg.br/hawo/article/view/65514 |
| Access Level: | acceso abierto |
| Palabra clave: | Quilombo São Gonçalo Dança Saúde Politica Dance Health Politics |
| Sumario: | This article deals with the Dance of São Gonçalo in the Quilombola Community of Serra do Evaristo / CE and its relationship as a way of doing politics and healing bodies based on the rotation and counter-effect of the expected. To dance for São Gonçalo is to rotate, to circulate. From the body theory of dancers, explained in dancing, a body-thought basis for the way of doing politics and dealing with good and evil, good and deed is envisaged. Based on the choreography of the Dança de São Gonçalo, which rotates and changes perspective all the time, body-thinking assemblages and engagements solve and solve everyday problems from health to politics within an ethical-aesthetic that is only done by rotating and circulating people and, therefore, perspectives, illnesses and political action itself. |
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