Itineraries of the music video in media culture
The principle of this paper is to recover some theorical scopes that lead us ways of understanding the routes of audiovisual products in media. Concepts such as the grammar of media, audiovisual systems and questioning around the audio image tools are theorical constructs capable of dealing with the...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2011 |
| País: | Brasil |
| Recursos: | Universidade Federal da Paraíba (UFPB) |
| Repositorio: | Revista Culturas Midiáticas (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufpb.br:article/11714 |
| Acesso em linha: | https://periodicos.ufpb.br/index.php/cm/article/view/11714 |
| Access Level: | acceso abierto |
| Palavra-chave: | Audiovisual Systems Music Video Audiovisual History Regímenes Audiovisuales Videoclip Historia del Audiovisual Regimes Audiovisuais Videoclipe História do Audiovisual |
| Resumo: | The principle of this paper is to recover some theorical scopes that lead us ways of understanding the routes of audiovisual products in media. Concepts such as the grammar of media, audiovisual systems and questioning around the audio image tools are theorical constructs capable of dealing with the complexity of audiovisual observation in contemporary culture. The music video appears as one of the echoes of relations and constructions of the audio image in the media logic. Our principle is providing a historical perspective of the links between sound and image, audio and video culture. |
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