Carl Nielsen’s Clarinet Concerto, Op.57: context, analysis and performance
Composed in 1928, Carl Nielsen’s Clarinet Concerto, Op.57 became a fundamental work in the twentieth-century clarinet literature. This study discusses some of the work’s performance aspects by means of examining its context related to its composer and compositional procedures. The discrepancies betw...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Per Musi |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/39873 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/permusi/article/view/39873 |
| Access Level: | acceso abierto |
| Palabra clave: | Carl Nielsen Clarinet concerto Music analysis and interpretation Concerto para clarineta Análise e interpretação musical Concierto para clarinete Análisis e interpretación musical |
| Sumario: | Composed in 1928, Carl Nielsen’s Clarinet Concerto, Op.57 became a fundamental work in the twentieth-century clarinet literature. This study discusses some of the work’s performance aspects by means of examining its context related to its composer and compositional procedures. The discrepancies between the Sanfundet edition and the composer’s manuscripts are observed. Analysis aspects of the work support the discussion about its initial reception and its role in the clarinet literature. |
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