Between parentheses: the place of the murmur in the fiction of Tabajara Ruas
Preceding its approach to the work of Tabajara Ruas, O Amor de Pedro por João, this article questions the reading of works related to the post-64 period and its link with a theoretical apparatus that compromises the interpretative process. The text seeks to reflect on the novel that narrates the Bra...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2005 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Literatura e Autoritarismo |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/74021 |
| Acceso en línea: | http://periodicos.ufsm.br/LA/article/view/74021 |
| Access Level: | acceso abierto |
| Palabra clave: | Murmúrio Ficção Tabajara Ruas Murmur Fiction |
| Sumario: | Preceding its approach to the work of Tabajara Ruas, O Amor de Pedro por João, this article questions the reading of works related to the post-64 period and its link with a theoretical apparatus that compromises the interpretative process. The text seeks to reflect on the novel that narrates the Brazilian armed struggle against the dictatorship, experimenting between extremes through the climate of tension felt in the intermediate zones of the work. Tabajara Ruas creates a bipolar framework for the novel, in which the epic-heroic tone, on the one hand, and melancholy, on the other, provide the beacons against which the characters will move, modulating their actions and thoughts in a wide range of tonalities. and dictions. |
|---|