Poéticas do encontro nos coletivos audiovisuais em São Paulo: estudos a partir do documentário O muro da vergonha (2014)
This research analyzes the communication process and poetic procedures of documentaries made by audiovisual production collectives in São Paulo. With this purpose, the documentaries O muro da vergonha (Moinho Vivo, Comboio e Fabcine, 2014, São Paulo, SP, 15’46”, digital, color) was chosen. The conte...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositorio: | Repositório Institucional da PUC_SP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.pucsp.br:handle/20681 |
| Acceso en línea: | https://tede2.pucsp.br/handle/handle/20681 |
| Access Level: | acceso abierto |
| Palabra clave: | Vídeo Audiovisual Documentário Audiovisual collectives Mediaiativism Micropolitics CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
| Sumario: | This research analyzes the communication process and poetic procedures of documentaries made by audiovisual production collectives in São Paulo. With this purpose, the documentaries O muro da vergonha (Moinho Vivo, Comboio e Fabcine, 2014, São Paulo, SP, 15’46”, digital, color) was chosen. The context of the audiovisual production outside the tradicional centers of production is historically placed on a process that moves it away from the sociological method of documentary realization as defined by Jean-Claude Bernardet (2009). To define what we understand by audiovisual collectives this research place them not isolated in history, but inserted in a historical process of democratization of the audiovisual production, with the starting point in the experience from Suely Rolnik and Félix Guattari – portrayed in the book Cartografias do desejo – that in 1982 traveled the just redemocratized Brazil, talking about the directions of the social movements. To understand the collective creation inside thous groups we will use the theory from Cecilia Almeida Salles (1998) that analyzes the process of network creation and we will base in the approach of the extremities from Christine Mello (2008) to approach the works by their poetic procedures, understanding that this audiovisual production happens in the extremities sign. The objetives of this research consist in build a path of reading for O muro da vergonha and its communicational process, minding the the collective creative process. This research seeks to understand what we name here poetics of meeting, that we recognize in its disruptive relations regarding political action and classical audiovisual narratives |
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