Pornoterrorist performances: escape routes against the heterosexual imaginary
In the article, the language of performance was explored for its disruptive power, serving as a platform for experimenting with creative solutions to conventions produced by heterosexuality. Diana Torres's pornoterrorist performance materialized artistic strategies to destroy hegemonic narrativ...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/25810 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/25810 |
| Access Level: | acceso abierto |
| Palabra clave: | performance pornoterrorismo heterossexualidade pornoterrorism heterosexualidad |
| Sumario: | In the article, the language of performance was explored for its disruptive power, serving as a platform for experimenting with creative solutions to conventions produced by heterosexuality. Diana Torres's pornoterrorist performance materialized artistic strategies to destroy hegemonic narratives about gender and sexuality, thus presenting itself as an important reference in the investigation of producing critical images of the heteronormative imagination. The creation of the performance Cualquiera! Qualquer cosa sobre todo en mi, presented in the article, was based on pornoterrorist foundations, influencing artistic resistance strategies. |
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