Assembling Shreds of History: dance and memory of the last Argentine civic-military dictatorship
The article analyzes the play Retazos pequeños de nuestra historia más reciente (2010) choreographed by Daniel Payero for the Compañía Nacional de Danza Contemporánea, and its approach to the memory of the last Argentine civic-military dictatorship (1976-1983). Throughout this analysis, the article...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/102214 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/102214 |
| Access Level: | acceso abierto |
| Palabra clave: | Dance Dictatorshi . Memory Retazos pequeños de nuestra historia más reciente Daniel Payero |
| Sumario: | The article analyzes the play Retazos pequeños de nuestra historia más reciente (2010) choreographed by Daniel Payero for the Compañía Nacional de Danza Contemporánea, and its approach to the memory of the last Argentine civic-military dictatorship (1976-1983). Throughout this analysis, the article offers some thoughts on the embodied memory or the embodiment of the dictatorship’s memory as a repertoire or performance. How and what kind of memory do the dancing bodies have and evoke? Here, performance as embodied memory is presented as a fragmentary montage that alters the common place of official memory, allowing an intimate and affective dimension to arise. |
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