Revelando o Brasil em Marighella: entre a recepção cinematográfica e a perspectiva bakhtiniana
This paper analyzes, through a diachronic view about the formation of brazilian cinema, reactions in reply to production of Marighella (2019), film directed by Wagner Moura. From a clipping of the reader-response criticism proposed by Metz (1977) in semiology of the cinema, I intend to argue how the...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Federal do Ceará (UFC) |
| Repositorio: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufc.br:riufc/65175 |
| Acceso en línea: | http://www.repositorio.ufc.br/handle/riufc/65175 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema brasileiro Teoria bakhtiniana Marighella Brazilian cinema Bakhtin’s theory |
| Sumario: | This paper analyzes, through a diachronic view about the formation of brazilian cinema, reactions in reply to production of Marighella (2019), film directed by Wagner Moura. From a clipping of the reader-response criticism proposed by Metz (1977) in semiology of the cinema, I intend to argue how the brazilian film is seen about to be released, according ideological aspects who creates the social representation and the cinematographic critics. Therefore, I follow a relation with the ideas of verbal interaction and dialogism, theorized by Bakhtin (2002; 2003; 2013a; 2013b) and Bakhtin/Volóchinov (2014), the definition of semiotic-ideological unity as expression of human language. Then, I realize a research in brazilian social network Filmow, where films can be rated and reviewed, to analyze the content of the published comments. Based on a qualitative observation of twenty posts, I find an effervescent discussion about the representation of the main character and the metacritics, critics about critics. |
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