A Tale of Encounters with Lia Rodrigues Cia. de Danças
Lia Rodrigues established her dance company in the neighbourhood of Alagados, in Rio de Janeiro. This article considers her presence at this urban zone as a procedure of presence, suggesting an attention to dance that precedes the process of choreographic composition, seen by the public. To investi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/24969 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/24969 |
| Access Level: | acceso abierto |
| Palabra clave: | Lia Rodrigues Presence Non-dance Site-specific Performance Presença Não-dança Présence Non-danse |
| Sumario: | Lia Rodrigues established her dance company in the neighbourhood of Alagados, in Rio de Janeiro. This article considers her presence at this urban zone as a procedure of presence, suggesting an attention to dance that precedes the process of choreographic composition, seen by the public. To investigate notions such as site, location and permanence and how they engender the work of her Company, the author follows three dancers through their urban trajectories. From that, a different notion of choreography arises, as well as a conception of dance that is initiated in the everyday trajectories, once one allows himself to cross the boundaries of social tension in order to execute, produce or enjoy a dance. |
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