O roteirista Cesare Zavattini: método e estrutura narrativa do filme Umberto D.
This research investigates and reflects on the method of work, the creative process and the procedures adopted by italian neorealist writer Cesare Zavattini (1902-1989), to write the screenplay for the film Umberto D. (Italy, 1952), directed by Vittorio De Sica. The texts of the entire creative proc...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/BUOS-ARTHFQ |
| Acceso en línea: | http://hdl.handle.net/1843/BUOS-ARTHFQ |
| Access Level: | acceso abierto |
| Palabra clave: | Vittorio de Sica Neorrealismo italiano Roteiro Estratégias narrativas Umberto D Cesare Zavattini Cinema Neo-realismo Zavattini, Cesare, 1902-1989 Umberto D (Filme) Roteiristas cinematográficos |
| Sumario: | This research investigates and reflects on the method of work, the creative process and the procedures adopted by italian neorealist writer Cesare Zavattini (1902-1989), to write the screenplay for the film Umberto D. (Italy, 1952), directed by Vittorio De Sica. The texts of the entire creative process of Zavattini in the writing of the film were published at the time,Dal soggetto ala sceneggiatura. Come si scrive un capolavoro: Umberto D., provides material for an analysis from the first draft of the cinematographic idea until its transformation into script is made. The narrative innovations brought by Cesare Zavattini to film making receive a new appreciation. |
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