O olhar de uma roteirista: a construção do cinema escrito de Suso Cecchi D'Amico
This thesis investigates the construction process of the "written cinema" of the Italian screenwriter Suso Cecchi D'Amico, from the scripts and documents produced for the making of the films. During her 60-year career, Suso has worked with great directors in more than 100 films. Stori...
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| Tipo de recurso: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/59022 |
| Acceso en línea: | http://hdl.handle.net/1843/59022 https://orcid.org/0000-0002-8472-5150 |
| Access Level: | acceso abierto |
| Palabra clave: | Roteiro Roteirista Suso Cecchi D'Amico Cinema italiano Luchino Visconti Neorrealismo Cinema Cecchi D'Amico, Suso Roteiristas cinematográficos - Itália Neo-realismo |
| Sumario: | This thesis investigates the construction process of the "written cinema" of the Italian screenwriter Suso Cecchi D'Amico, from the scripts and documents produced for the making of the films. During her 60-year career, Suso has worked with great directors in more than 100 films. Stories, synopses, step-outlines, character studies, sketches, reports and letters sent to the group are the first forms of films. Since the screenwriter almost always worked collectively, carrying out the search and analysis of these documents, often ephemeral and practically unpublished, was the possibility of affirming the author's real contribution in the films in which she collaborated, demonstrating her relevance to the history of Italian cinema. The idea was to find in the genesis of the film construction process, the marks of a "screenwriter film director". |
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