Practice and didactics of chamber music

This text focuses on questions related to fundaments for the chamber musician and chamber music teacher’s work. The little attention music performance scholars have been given to the fundaments of its practice and teaching, has caused many uninformed instructions throughout chamber musicians’ educat...

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Detalles Bibliográficos
Autor: Ray, Sonia
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2019
País:Brasil
Institución:Universidade do Estado de Santa Catarina (UDESC)
Repositorio:Orfeu (Florianópolis)
Idioma:portugués
OAI Identifier:oai::article/15978
Acceso en línea:https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404012019151
Access Level:acceso abierto
Palabra clave:Pedagogia da Performance Musical
didática da música de câmera
formação do músico camerista
Music Performance Pedagogy
Didacts of chamber music
Chamber musician’s education
Descripción
Sumario:This text focuses on questions related to fundaments for the chamber musician and chamber music teacher’s work. The little attention music performance scholars have been given to the fundaments of its practice and teaching, has caused many uninformed instructions throughout chamber musicians’ education. The main goal of the present paper is to discuss the theme as well as to offer directions to both chamber music students and teachers. Based on the concepts Musical Performance (Ray, 2015a) and Musical Performance Pedagogy (Ray, 2015b), this article presents fundaments and suggestions on how to organize an undergraduate chamber musiccourse. The text is organized in three main parts: 1) Fundamental approaches to chamber music didactics; 2 Practice and didacts of chamber music elements; and 3) Considerations on how to plan a chamber music course. The discussions and suggestions here presented showed clearly that there are benefits of the conceptual studies addressed to chamber music students and teachers, particularly those involved in formal educational.