Parasita de Bong Joon-ho: diálogo entre gêneros narrativos

The aim of the dissertation is to analyze the success of the movie Parasite. And for that explanation, check out director Bong Joon-ho's other works. This was the first non-English-speaking film to win four Oscars, including the coveted statuettes for best screenplay, best director and best pic...

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Bibliographic Details
Author: Santos, Gabriel Alviano
Format: master thesis
Status:Published version
Publication Date:2022
Country:Brasil
Institution:Pontifícia Universidade Católica de São Paulo (PUC-SP)
Repository:Repositório Institucional da PUC_SP
Language:Portuguese
OAI Identifier:oai:repositorio.pucsp.br:handle/29544
Online Access:https://repositorio.pucsp.br/jspui/handle/handle/29544
Access Level:Open access
Keyword:CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Parasita
Bong Joon-ho
Roteiro
Gêneros narrativos
Crítica de processo
Parasite
Screenplay
Narrative genres
Process criticism
Description
Summary:The aim of the dissertation is to analyze the success of the movie Parasite. And for that explanation, check out director Bong Joon-ho's other works. This was the first non-English-speaking film to win four Oscars, including the coveted statuettes for best screenplay, best director and best picture. To better understand the importance of this repercussion and the prominence that Parasite achieved, let's review the relationship between the film and the history of South Korean culture, the beginning of the history of its cinema and the commercial impulse it received in recent years. We will also analyze the director's trajectory and understand his work using different cinematographic genres at the same time. The basis is in the studies and studies of: Group Creation Processes Dialogues by Cecília Almeida Salles, Cinematographic Manuals by Luís Nogueira and The Steve Kaplan Tools of Comedy