O passado da língua no cinema: Um estudo diacrônico do pretérito perfecto na variedade bonaerense

The lack of research on diachronic study of porteño Spanish and reports about the history of the pretérito perfecto simple (PPS) and pretérito perfecto compuesto (PPC) uses in Argentina highlight the importance of this study. Thus, comparing movies from two historical moments - a sixty years interva...

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Detalles Bibliográficos
Autores: de Araujo, Leandro Silveira [UNESP], de Oliveira Coradi, Laura
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2020
País:Brasil
Institución:Universidade Estadual Paulista (UNESP)
Repositorio:Repositório Institucional da UNESP
Idioma:portugués
OAI Identifier:oai:repositorio.unesp.br:11449/221539
Acceso en línea:http://hdl.handle.net/11449/221539
Access Level:acceso abierto
Palabra clave:Linguistic change
Linguistic variation
Movie
Porteño Spanish
Pretérito Perfecto
Descripción
Sumario:The lack of research on diachronic study of porteño Spanish and reports about the history of the pretérito perfecto simple (PPS) and pretérito perfecto compuesto (PPC) uses in Argentina highlight the importance of this study. Thus, comparing movies from two historical moments - a sixty years interval, approximately- (a) 1958 (Rosaura a las diez) and (b) 2013 (Corazón de León) - we observed if there is some alteration in the use of the tenses and what factors could be generating this variation. In this way, this question has helped us in the research: What is the difference in the use of the PPS and PPC in the two generations analyzed? We have noted that despite the predominance of the use of simple form, PPC is not excluded from Argentinean Spanish. Moreover, both forms assume different values from those found in prescriptive manuals of Spanish, that is, in addition to the absolute past value, the use of PPS with ante present value has been noted. Likewise, PPC occurred with absolute past value, in addition to the ante present value.