Photography and painting – the Issue of realism in the nineteenth century
Discussion of Realism as the moment of rupture between the representative regime and the aesthetic regime (Racière), through the analysis of the photography of Christiano Júnior and Revert Henrique and the paintings by Almeida Júnior and Rodolfo Amoedo; and the Reali...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | Universidade do Sul de Santa Catarina (UNISUL) |
| Repositorio: | Crítica Cultural (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:portaldeperiodicos.animaeducacao.com.br:article/121 |
| Acceso en línea: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/121 |
| Access Level: | acceso abierto |
| Palabra clave: | Photography Painting Realism Nineteenth century Fotografia Pintura Realismo Rancière Sec. XIX |
| Sumario: | Discussion of Realism as the moment of rupture between the representative regime and the aesthetic regime (Racière), through the analysis of the photography of Christiano Júnior and Revert Henrique and the paintings by Almeida Júnior and Rodolfo Amoedo; and the Realist Novel of the nineteenth century as the condition of possibility for photography. |
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