"BLACK CINEMA": TRAJECTORIES AND AESTHETIC PERSPECTIVES IN ORAL HISTORY INTERVIEWS WITH THREE ARTISTS
The article analyzes the trajectory of three cultural producers, Ierê Ferreira, Paulinho Sacramento and Viviane Ferreira. And it understands the different ways that these social agents relate to the Afrocarioca Cinema Center, created in 2007 by the actor and filmmaker Zózimo Bulbul, and to the “blac...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositorio: | Projeto História (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/50356 |
| Acceso en línea: | https://revistas.pucsp.br/index.php/revph/article/view/50356 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema Negro Movimento Negro História Oral Antirracismo Black cinema Black social movement Oral history Anti-racism |
| Sumario: | The article analyzes the trajectory of three cultural producers, Ierê Ferreira, Paulinho Sacramento and Viviane Ferreira. And it understands the different ways that these social agents relate to the Afrocarioca Cinema Center, created in 2007 by the actor and filmmaker Zózimo Bulbul, and to the “black cinema”, a political and aesthetic conception that emerged in Brazil in the 2000s. The research makes use of the methodology of oral history and the debate on social memory to glimpse the paths of the anti-racist struggle in Brazilian cinema and audiovisual and to highlight the diversity of anti-racist political and aesthetic projects. |
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