Delsarte and Laban: the origins and principles of an aesthetic revolution
This text establishes a link between some principles of the work of François Delsarte and Rudolf Laban, concluding that what identifies them is closely connected with the research method, which is based on the observation of human nature and human beings in real life and in art. It also shows that t...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/30294 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/30294 |
| Access Level: | acceso abierto |
| Palabra clave: | Pédagogie de l’Acteur Le Travail du Corps Danse Moderne Acting Pedagogy Body Work Modern Dance Pedagogia do ator Atuação Trabalho de corpo Pesquisa Dança moderna. |
| Sumario: | This text establishes a link between some principles of the work of François Delsarte and Rudolf Laban, concluding that what identifies them is closely connected with the research method, which is based on the observation of human nature and human beings in real life and in art. It also shows that the principles of the method proposed by Delsarte are part of the contemporary scene and of different forms of pedagogy connected to this very same scene. |
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