Jurandy surfs on an alligator playing Ravel’s Bolero
The present text intends to analyze the event known as "sunset at Alligator beach", in Cabedelo (PB), with Ravel’s Bolero as background music, created by the musician most known as “Jurandy of the Sax”. We intend to analyze the appropriation forms of the musical work, converted into object...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Intexto (Porto Alegre) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/84714 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/intexto/article/view/84714 |
| Access Level: | acceso abierto |
| Palabra clave: | Paisagem sonora. Cartão postal sonoro. Entretenimento. Bolero de Ravel. Performance. Soundscape. Performance. Ravel’s Bolero. Entertainment. Sonorous postcards. |
| Sumario: | The present text intends to analyze the event known as "sunset at Alligator beach", in Cabedelo (PB), with Ravel’s Bolero as background music, created by the musician most known as “Jurandy of the Sax”. We intend to analyze the appropriation forms of the musical work, converted into object of local touristic consumption. For this purpose, we will analyze the mouvance processes of Ravel’s work through different performances and distinctive aesthetic conceptions. The strategies adopted by Jurandy, serve as symbolic elements of reinforcement in his interaction with the public. At the same time, the creation of Jurandy is emphasized as the establishment of a peculiar sound landscape. Among the conclusions, the importance of the musician in the self-promotion of his products, besides the creation of a lode of media consumption of the music by the tourism stands out. |
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