VIDEODANCE BÁRBARA: ARCHITECTURE, BODY AND RELIGIOSITY
Videodance, in the context of new media, is characterized as a hybrid artistic work, between dance and technology. Borders, in this type of artistic production, cross, allowing unimaginable poetics and narratives. Here, we highlight urban space, video and dance as elements that perform in the hybrid...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/126289 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/126289 |
| Access Level: | acceso abierto |
| Palabra clave: | Videodance Creative Process Urban Space Modernism Religiosity Videodanza Proceso creativo Espacio urbano Modernismo Religiosidad Vidéodanse Processus Créatif Espace Urbain Modernisme Religiosité Videodança Espaço Urbano Processo de Criação Arte Contemporânea |
| Sumario: | Videodance, in the context of new media, is characterized as a hybrid artistic work, between dance and technology. Borders, in this type of artistic production, cross, allowing unimaginable poetics and narratives. Here, we highlight urban space, video and dance as elements that perform in the hybrid essence of videodance, resignifying urban elements and the occupation of cities by dance. Thus, this article analyzes the interfaces between dance, religiosity and modern architecture, present in the creative process of the videodance Bárbara, highlighting the instability and clipping of the image between the trunk and legs, as aesthetic elements listed in the conception of this work. |
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