Music and cyberculture
The development of the digital technologies is seedling the producing information forms and what is produced. The technological convergence eliminates limits among media, turning them solidarity into operational terms, and causing erosion in the relationships among producers and users. Internet allo...
| Autores: | , |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/6317 |
| Acesso em linha: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/6317 |
| Access Level: | acceso abierto |
| Palavra-chave: | Cyberculture music technological convergence Cibercultura Música Convergencia tecnológica música convergência tecnológica |
| Resumo: | The development of the digital technologies is seedling the producing information forms and what is produced. The technological convergence eliminates limits among media, turning them solidarity into operational terms, and causing erosion in the relationships among producers and users. Internet allows any one to work as producer, mediator and users of contents. The music is living deep changes in their production manners, diffusion and use. The modern musical scene was linked to the series of the cultural industry the mass culture. The modern popular music has the form of songs reproduced by the phonograph, diffused by the radio. The music in the cyberculture is linked with new technologies. The digital music has the potential form of open source compacted under the MP3 file form, flowing in MP3 players, cellulars and Internet. |
|---|