Death and the apocalyptic motto in the fictional narrative television serial Supernatural

The Bible is considered one of the most read books in history. Moreover, it has been object of analysis not only of people who believe and accept its writings as well as those who see it by documentary, historical or literary bias. In this sense, the intentions may be scientific, historical, philoso...

Descripción completa

Detalles Bibliográficos
Autor: Santos, Petronia de Santana
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2016
País:Brasil
Institución:Universidade do Estado da Bahia (UNEB)
Repositorio:Babel (Alagoinhas)
Idioma:portugués
OAI Identifier:oai:revistas.uneb.br:article/2736
Acceso en línea:https://revistas.uneb.br/babel/article/view/2736
Access Level:acceso abierto
Palabra clave:Bible
Death
Representation
Supernatural
Apocalypse
Bíblia
Morte
Representação
Apocalipse
id BR_2bae745fe12b90f2baf88c8a0bbdedcd
oai_identifier_str oai:revistas.uneb.br:article/2736
network_acronym_str BR
network_name_str Brasil
repository_id_str
dc.title.none.fl_str_mv Death and the apocalyptic motto in the fictional narrative television serial Supernatural
Morte e o mote apocalíptico na narrativa seriada ficcional televisiva Supernatural
title Death and the apocalyptic motto in the fictional narrative television serial Supernatural
spellingShingle Death and the apocalyptic motto in the fictional narrative television serial Supernatural
Santos, Petronia de Santana
Bible
Death
Representation
Supernatural
Apocalypse
Bíblia
Morte
Representação
Supernatural
Apocalipse
title_short Death and the apocalyptic motto in the fictional narrative television serial Supernatural
title_full Death and the apocalyptic motto in the fictional narrative television serial Supernatural
title_fullStr Death and the apocalyptic motto in the fictional narrative television serial Supernatural
title_full_unstemmed Death and the apocalyptic motto in the fictional narrative television serial Supernatural
title_sort Death and the apocalyptic motto in the fictional narrative television serial Supernatural
dc.creator.none.fl_str_mv Santos, Petronia de Santana
author Santos, Petronia de Santana
author_facet Santos, Petronia de Santana
author_role author
dc.subject.por.fl_str_mv Bible
Death
Representation
Supernatural
Apocalypse
Bíblia
Morte
Representação
Supernatural
Apocalipse
topic Bible
Death
Representation
Supernatural
Apocalypse
Bíblia
Morte
Representação
Supernatural
Apocalipse
description The Bible is considered one of the most read books in history. Moreover, it has been object of analysis not only of people who believe and accept its writings as well as those who see it by documentary, historical or literary bias. In this sense, the intentions may be scientific, historical, philosophical, literary and others. However, among the various fields that have already expressed some interest toward its content, the field of art has possibly called more attention. Once with the Bible, artists have kept for a long time a persistent dialogue. Thus, it can be noticed that there is a wide spread of biblical themes in different kinds of art, especially in literature. In some works, the biblical content is explicitly portrayed. In others only with more analytical studies, unexpected dialogues can be recognized. So, based on the notion that all artistic creation is configured as the reinterpretation of earlier works, this study aims to analyze, from a comparative perspective, the representation of Death, one of the Knights of the Apocalypse, the character of fictional narrative television serial Supernatural. Therefore, through a bibliographic and documentary research, based on the theoretical presuppositions of Foucault (2000) and Todorov (2009), this study makes a brief explanation of the concept of representation. Next, a setting and exemplifications of the dialogues that the Bible provides to some artistic languages. Finally, based on the source texts, Re. 6: 8 and Re. 20: 14, the analysis of the Death Knight is made up for the observation of the relevant features, as well as the possible deviations. Thus, relative to the proposed debate, it is expected that this research confirms the presence and reversal of these themes in the arts, especially in television fictional serial narratives, as well as reinterpretations of their contexts.
publishDate 2016
dc.date.none.fl_str_mv 2016-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
"Avaliado pelos pares"
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.uneb.br/babel/article/view/2736
10.69969/revistababel.v6i1.2736
url https://revistas.uneb.br/babel/article/view/2736
identifier_str_mv 10.69969/revistababel.v6i1.2736
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.uneb.br/babel/article/view/2736/1869
dc.rights.driver.fl_str_mv Copyright (c) 2016 Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado da Bahia
publisher.none.fl_str_mv Universidade do Estado da Bahia
dc.source.none.fl_str_mv Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras; Vol. 6 No. 1 (2016); 36-48
Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras; Vol. 6 No. 1 (2016); 36-48
Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras; v. 6 n. 1 (2016); 36-48
2238-5754
10.69969/revistababel.v6i1
reponame:Babel (Alagoinhas)
instname:Universidade do Estado da Bahia (UNEB)
instacron:UNEB
instname_str Universidade do Estado da Bahia (UNEB)
instacron_str UNEB
institution UNEB
reponame_str Babel (Alagoinhas)
collection Babel (Alagoinhas)
repository.name.fl_str_mv Babel (Alagoinhas) - Universidade do Estado da Bahia (UNEB)
repository.mail.fl_str_mv linguas.babel@gmail.com
_version_ 1853665998868054016
spelling Death and the apocalyptic motto in the fictional narrative television serial SupernaturalMorte e o mote apocalíptico na narrativa seriada ficcional televisiva SupernaturalBibleDeathRepresentationSupernaturalApocalypseBíbliaMorteRepresentaçãoSupernaturalApocalipseThe Bible is considered one of the most read books in history. Moreover, it has been object of analysis not only of people who believe and accept its writings as well as those who see it by documentary, historical or literary bias. In this sense, the intentions may be scientific, historical, philosophical, literary and others. However, among the various fields that have already expressed some interest toward its content, the field of art has possibly called more attention. Once with the Bible, artists have kept for a long time a persistent dialogue. Thus, it can be noticed that there is a wide spread of biblical themes in different kinds of art, especially in literature. In some works, the biblical content is explicitly portrayed. In others only with more analytical studies, unexpected dialogues can be recognized. So, based on the notion that all artistic creation is configured as the reinterpretation of earlier works, this study aims to analyze, from a comparative perspective, the representation of Death, one of the Knights of the Apocalypse, the character of fictional narrative television serial Supernatural. Therefore, through a bibliographic and documentary research, based on the theoretical presuppositions of Foucault (2000) and Todorov (2009), this study makes a brief explanation of the concept of representation. Next, a setting and exemplifications of the dialogues that the Bible provides to some artistic languages. Finally, based on the source texts, Re. 6: 8 and Re. 20: 14, the analysis of the Death Knight is made up for the observation of the relevant features, as well as the possible deviations. Thus, relative to the proposed debate, it is expected that this research confirms the presence and reversal of these themes in the arts, especially in television fictional serial narratives, as well as reinterpretations of their contexts.A Bíblia é considerada um dos livros mais lidos em toda a história. Além disso, tem sido objeto de análise não apenas de pessoas que creem e aceitam seus escritos, bem como daquelas que a veem pelo viés documental, histórico ou literário. Nesse sentido, são possíveis intenções científicas, históricas, filosóficas, literárias e de outras ordens. Contudo, dentre os diversos campos que já se mostraram interessados por seu conteúdo, o que mais tem chamado a atenção, possivelmente seja o da arte. Uma vez que com a Bíblia, os artistas têm mantido há tempos um diálogo persistente. Assim, pode-se perceber que há uma vasta disseminação de temas bíblicos em diferentes tipos de arte, sobretudo na literatura. Em algumas obras, o conteúdo bíblico é retratado explicitamente. Já em outras, apenas com estudos mais analíticos, pode-se reconhecer interlocuções inesperadas. De tal modo, partindo da concepção de que toda criação artística se configura como releitura de obras anteriores, este estudo visa analisar, sob a ótica comparatista, a representação de Morte, um dos Cavaleiros do Apocalipse, personagem da narrativa seriada ficcional televisiva Supernatural. Por conseguinte, através de pesquisa bibliográfico-documental, fundamentada nos pressupostos teóricos de Foucault (2000) e Todorov (2009), o presente estudo faz uma breve explanação da concepção de representação. Em seguida, uma ambientação e exemplificações das interlocuções que a Bíblia propicia com algumas linguagens artísticas. Por fim, partindo dos textos fontes, Ap. 6: 8 e Ap. 20: 14, efetua-se a análise do Cavaleiro Morte para a observação dos traços pertinentes, bem como os possíveis afastamentos. Logo, frente ao debate proposto, espera-se que esta pesquisa confirme a presença e reversão dessas temáticas nas artes, sobretudo nas narrativas seriadas ficcionais televisivas, bem como as releituras de seus contextos.Universidade do Estado da Bahia2016-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion"Avaliado pelos pares"application/pdfhttps://revistas.uneb.br/babel/article/view/273610.69969/revistababel.v6i1.2736Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras; Vol. 6 No. 1 (2016); 36-48Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras; Vol. 6 No. 1 (2016); 36-48Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras; v. 6 n. 1 (2016); 36-482238-575410.69969/revistababel.v6i1reponame:Babel (Alagoinhas)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://revistas.uneb.br/babel/article/view/2736/1869Copyright (c) 2016 Babel: Revista Eletrônica de Línguas e Literaturas Estrangeirasinfo:eu-repo/semantics/openAccessSantos, Petronia de Santana2021-07-23T20:49:13Zoai:revistas.uneb.br:article/2736Revistahttps://revistas.uneb.br/index.php/babel/indexPUBhttps://revistas.uneb.br/index.php/babel/oailinguas.babel@gmail.com2238-57542238-5754opendoar:2021-07-23T20:49:13Babel (Alagoinhas) - Universidade do Estado da Bahia (UNEB)false
score 15,300719