Mobilidade em trânsito: Carolina Maria de Jesus e sua luta inspiradora para a mobilidade social
The phenomenon of social mobility in Brazil is increasingly gaining notoriety, given that recent research indicates that in Brazil there is no social mobility for a portion of its population: black women from popular classes. In view of this, researching racial and gender issues in Brazil means inve...
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| Tipo de documento: | dissertação |
| Estado: | Versão publicada |
| Data de publicação: | 2024 |
| País: | Brasil |
| Recursos: | Universidade Federal do Rio Grande do Norte (UFRN) |
| Repositório: | Repositório Institucional da UFRN |
| Idioma: | português |
| OAI Identifier: | oai:repositorio.ufrn.br:123456789/58033 |
| Acesso em linha: | https://repositorio.ufrn.br/handle/123456789/58033 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Mobilidade social Mulheres negras Jesus, Carolina Maria de, 1914-1977 CNPQ::OUTROS::CIENCIAS SOCIAIS |
| Resumo: | The phenomenon of social mobility in Brazil is increasingly gaining notoriety, given that recent research indicates that in Brazil there is no social mobility for a portion of its population: black women from popular classes. In view of this, researching racial and gender issues in Brazil means investigating the impact of triple discrimination on determinations of social stratification and analysis of the issue of social mobility in Brazil. In this case, starting from the artistic and literary productions of the writer Carolina Maria de Jesus, through the critical analysis of her songs, poems and her clothes, as well as through her most famous (autobiographical) works, Quarto de Despejo– O Diário de uma favelada (1960), Casa de Alvenaria– O diário de uma ex-favelada (1961) and O Diário de Bitita (1986) . In this way, the general goal of this research is to bring the life trajectory of the author Carolina Maria de Jesus closer to the debate about social mobility in Brazil, supporting myself, above all, in her artistic and literary productions crossing cultural, social and political aspects. Aiming, therefore, to observe, analyze and study the processes of exclusion and social ascension of segments such as black women from popular classes, based on the life trajectory of this multifaceted artist. For that, we employ cultural materialism as a methodological approach, in addition with documental and analysis. We hope, in this way, to reflect on the Brazilian reality, aiming to bring a new look at the debate on social ascension, the racial issue, the relevance and how current is Carolina Maria de Jesus. |
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