Relação entre o verbal e o visual: leitura de uma gravura de Dürer, feita por Saramago
The central purpose of this text consists in, by using some central concepts of theoretical semiotic perspective of the School of Paris, developing an analysis of the reading that the narrator of the text The gospel according to Jesus Christ, by José Saramago, does of a picture produced by Dürer. Th...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2003 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/65574 |
| Acceso en línea: | https://www.revistas.usp.br/significacao/article/view/65574 |
| Access Level: | acceso abierto |
| Palabra clave: | Discurso Enunciação Interdiscursividade Intertextualidade Narratividade Leitura. Discourse Enunciation Interdiscursivity Intertextuality Narrativity Reading process |
| Sumario: | The central purpose of this text consists in, by using some central concepts of theoretical semiotic perspective of the School of Paris, developing an analysis of the reading that the narrator of the text The gospel according to Jesus Christ, by José Saramago, does of a picture produced by Dürer. The basic hypothesis of this work is that the description of the mentioned picture done by the narrator refers, metonymically, to the romance structure as a whole. |
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