The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber
This article analyzes the novel Everything is Illuminated, by Jonathan Safran Foer, andits fi lm version directed by Liev Schrieber, focusing on the construction of a “narrative truth”. Thenovel develops in three distinct lines that reveal the inner-self of the characters. Its full understandingis o...
| Autor: | |
|---|---|
| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2011 |
| País: | Brasil |
| Recursos: | Universidade Estadual de Ponta Grossa (UEPG) |
| Repositório: | Revista Uniletras (Online) |
| Idioma: | português |
| OAI Identifier: | oai:uepg.br:article/2536 |
| Acesso em linha: | https://revistas.uepg.br/index.php/uniletras/article/view/2536 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Verdade Narrativa Pós-modernismo Foer Shrieber Tudo se Ilumina Truth Narrative Post-modernism Schrieber Everything is Illuminated. |
| id |
BR_05237e99c5ee02fa7ec66ea77ca09ab9 |
|---|---|
| oai_identifier_str |
oai:uepg.br:article/2536 |
| network_acronym_str |
BR |
| network_name_str |
Brasil |
| repository_id_str |
|
| spelling |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev SchrieberA “verdade” no fim da estrada - uma análise do romance tudo se ilumina, de Jonathan Safran Foer, e de sua versão cinematográfica, do diretor Liev Schrieber. Doi: 10.5212/Uniletras.v.32i1.155170VerdadeNarrativaPós-modernismoFoerShrieberTudo se IluminaTruthNarrativePost-modernismFoerSchrieberEverything is Illuminated.This article analyzes the novel Everything is Illuminated, by Jonathan Safran Foer, andits fi lm version directed by Liev Schrieber, focusing on the construction of a “narrative truth”. Thenovel develops in three distinct lines that reveal the inner-self of the characters. Its full understandingis only possible when we analyze these three lines altogether, once they can produce the meaning ofthe narrative, unveiling characters’ motivations and understanding of life. The very idea of “truth”- facts versus their versions - is at stake as the novel’s creation process is exposed. The article triesto understand how it was possible for a novel so deeply marked by post-modern features – like theuse of different narrative points of view and the discussion of metafi ctional aspects – could be transformedinto a fi lm, and to what extent these aspects are lost or gained new forms when transportedto the big screen.Key words: Truth; Narrative; Post-modernism; Foer; Schrieber; Everything is Illuminated. Este texto analisa o romance Tudo se Ilumina, de Jonathan Safran Foer, e sua versão cinematográfica, dirigida por Liev Shrieber, sob o ponto de vista da construção da “verdade narrativa”. O romance apresenta três linhas narrativas distintas que revelam o universo interior dos personagens. Sua compreensão se dá a partir da conjunção destas três linhas, produzindo um significado totalizadorda obra, revelando as motivações dos personagens e sua compreensão da vida. O próprio conceito de verdade - fatos x suas versões - é discutido no romance uma vez que seu processo de criação é exposto ao leitor. Investigamos como um romance com características marcadamente pós-modernas – entre elas o uso de diferentes pontos de vista para a narração e a discussão de questões metaficcionais – pôde ser adaptado para o cinema, e em que medida estes aspectos marcantes se perderam ou ganharam outras contações na grande tela. Palavras-chave: Verdade; Narrativa; Pós-modernismo; Foer; Shrieber; Tudo se IluminaUEPG2011-05-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uepg.br/index.php/uniletras/article/view/253610.5212/uniletras.v32i1.2536UNILETRAS; Vol. 32 No. 1 (2010); 155-170UniLetras; v. 32 n. 1 (2010); 155-1701983-34310101-8698reponame:Revista Uniletras (Online)instname:Universidade Estadual de Ponta Grossa (UEPG)instacron:UEPGporhttps://revistas.uepg.br/index.php/uniletras/article/view/2536/1938info:eu-repo/semantics/openAccessFerro, Jeferson2011-05-24T16:26:01Zoai:uepg.br:article/2536Revistahttps://revistas.uepg.br/index.php/uniletras/indexPUBhttps://revistas.uepg.br/index.php/uniletras/oaiuniletras@uepg.br || periodicosuepg@uepg.br1983-34310101-8698opendoar:2011-05-24T16:26:01Revista Uniletras (Online) - Universidade Estadual de Ponta Grossa (UEPG)false |
| dc.title.none.fl_str_mv |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber A “verdade” no fim da estrada - uma análise do romance tudo se ilumina, de Jonathan Safran Foer, e de sua versão cinematográfica, do diretor Liev Schrieber. Doi: 10.5212/Uniletras.v.32i1.155170 |
| title |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber |
| spellingShingle |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber Ferro, Jeferson Verdade Narrativa Pós-modernismo Foer Shrieber Tudo se Ilumina Truth Narrative Post-modernism Foer Schrieber Everything is Illuminated. |
| title_short |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber |
| title_full |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber |
| title_fullStr |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber |
| title_full_unstemmed |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber |
| title_sort |
The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber |
| dc.creator.none.fl_str_mv |
Ferro, Jeferson |
| author |
Ferro, Jeferson |
| author_facet |
Ferro, Jeferson |
| author_role |
author |
| dc.subject.por.fl_str_mv |
Verdade Narrativa Pós-modernismo Foer Shrieber Tudo se Ilumina Truth Narrative Post-modernism Foer Schrieber Everything is Illuminated. |
| topic |
Verdade Narrativa Pós-modernismo Foer Shrieber Tudo se Ilumina Truth Narrative Post-modernism Foer Schrieber Everything is Illuminated. |
| description |
This article analyzes the novel Everything is Illuminated, by Jonathan Safran Foer, andits fi lm version directed by Liev Schrieber, focusing on the construction of a “narrative truth”. Thenovel develops in three distinct lines that reveal the inner-self of the characters. Its full understandingis only possible when we analyze these three lines altogether, once they can produce the meaning ofthe narrative, unveiling characters’ motivations and understanding of life. The very idea of “truth”- facts versus their versions - is at stake as the novel’s creation process is exposed. The article triesto understand how it was possible for a novel so deeply marked by post-modern features – like theuse of different narrative points of view and the discussion of metafi ctional aspects – could be transformedinto a fi lm, and to what extent these aspects are lost or gained new forms when transportedto the big screen.Key words: Truth; Narrative; Post-modernism; Foer; Schrieber; Everything is Illuminated. |
| publishDate |
2011 |
| dc.date.none.fl_str_mv |
2011-05-10 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://revistas.uepg.br/index.php/uniletras/article/view/2536 10.5212/uniletras.v32i1.2536 |
| url |
https://revistas.uepg.br/index.php/uniletras/article/view/2536 |
| identifier_str_mv |
10.5212/uniletras.v32i1.2536 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://revistas.uepg.br/index.php/uniletras/article/view/2536/1938 |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
UEPG |
| publisher.none.fl_str_mv |
UEPG |
| dc.source.none.fl_str_mv |
UNILETRAS; Vol. 32 No. 1 (2010); 155-170 UniLetras; v. 32 n. 1 (2010); 155-170 1983-3431 0101-8698 reponame:Revista Uniletras (Online) instname:Universidade Estadual de Ponta Grossa (UEPG) instacron:UEPG |
| instname_str |
Universidade Estadual de Ponta Grossa (UEPG) |
| instacron_str |
UEPG |
| institution |
UEPG |
| reponame_str |
Revista Uniletras (Online) |
| collection |
Revista Uniletras (Online) |
| repository.name.fl_str_mv |
Revista Uniletras (Online) - Universidade Estadual de Ponta Grossa (UEPG) |
| repository.mail.fl_str_mv |
uniletras@uepg.br || periodicosuepg@uepg.br |
| _version_ |
1853665992003026944 |
| score |
15,301603 |