The “truth” at the end of de road: an analysis of the romance everything is illuminated, by Jonathan Safran Foer, and their fi lm versions by the director Liev Schrieber

This article analyzes the novel Everything is Illuminated, by Jonathan Safran Foer, andits fi lm version directed by Liev Schrieber, focusing on the construction of a “narrative truth”. Thenovel develops in three distinct lines that reveal the inner-self of the characters. Its full understandingis o...

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Detalles Bibliográficos
Autor: Ferro, Jeferson
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2011
País:Brasil
Institución:Universidade Estadual de Ponta Grossa (UEPG)
Repositorio:Revista Uniletras (Online)
Idioma:portugués
OAI Identifier:oai:uepg.br:article/2536
Acceso en línea:https://revistas.uepg.br/index.php/uniletras/article/view/2536
Access Level:acceso abierto
Palabra clave:Verdade
Narrativa
Pós-modernismo
Foer
Shrieber
Tudo se Ilumina
Truth
Narrative
Post-modernism
Schrieber
Everything is Illuminated.
Descripción
Sumario:This article analyzes the novel Everything is Illuminated, by Jonathan Safran Foer, andits fi lm version directed by Liev Schrieber, focusing on the construction of a “narrative truth”. Thenovel develops in three distinct lines that reveal the inner-self of the characters. Its full understandingis only possible when we analyze these three lines altogether, once they can produce the meaning ofthe narrative, unveiling characters’ motivations and understanding of life. The very idea of “truth”- facts versus their versions - is at stake as the novel’s creation process is exposed. The article triesto understand how it was possible for a novel so deeply marked by post-modern features – like theuse of different narrative points of view and the discussion of metafi ctional aspects – could be transformedinto a fi lm, and to what extent these aspects are lost or gained new forms when transportedto the big screen.Key words: Truth; Narrative; Post-modernism; Foer; Schrieber; Everything is Illuminated.