RESONANCES OF THE DIVINE COMEDY IN ÁLVARES DE AZEVEDO’S WORK
This article aims to show how A Divina comédia (2017), by Dante Alighieri, influenced Álvares de Azevedo’s work, romantic brazilian writer of the 19th century. In addition, some critics are approached who perceived this dantesque influence on the young poet like Monteiro (2000), Andrade (2011) and L...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Brasil |
| Institución: | Universidade Federal de Sergipe (UFS) |
| Repositorio: | Travessias Interativas |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.ufs.emnuvens.com.br:article/16119 |
| Acceso en línea: | https://periodicos.ufs.br/Travessias/article/view/16119 |
| Access Level: | acceso abierto |
| Palabra clave: | Álvares de Azevedo Divina Comédia Ressonâncias Obra azevediana Divine Comedy Resonances Azevedian work |
| Sumario: | This article aims to show how A Divina comédia (2017), by Dante Alighieri, influenced Álvares de Azevedo’s work, romantic brazilian writer of the 19th century. In addition, some critics are approached who perceived this dantesque influence on the young poet like Monteiro (2000), Andrade (2011) and Lucchesi (2013). This research was motivated by the imperative need to present the relationship between the brazilian poet and the Comedy, as it almost went unnoticed by the literary critic; therefore, it shows how the dantesque work gave meaning to the azevedian work, in order to better understand unexplored aspects of same. It was found, by means of a quantitative survey, that, in the integral azevedian work, the dantesque resonances range from references to the name of the florentine poet, to dantesque characters, to the plots of the songs and to direct quotes from verses. |
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