Latin American art history: An historiographic turn
This series of research seminars, organized in Colombia, Argentina, and Brazil, focused on Latin American and United States Latino art from 1960 to 1990. It challenges the dominant narrative of modernism that places Latin American and Latino art in the margins. Working together, senior scholars and...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Argentina |
| Institución: | Consejo Nacional de Investigaciones Científicas y Técnicas |
| Repositorio: | CONICET Digital (CONICET) |
| Idioma: | inglés |
| OAI Identifier: | oai:ri.conicet.gov.ar:11336/76957 |
| Acceso en línea: | http://hdl.handle.net/11336/76957 |
| Access Level: | acceso abierto |
| Palabra clave: | ARCHIVE COMPARATIVE FRAME HISTORICAL AVANT-GARDE HISTORIOGRAPHY LATIN AMERICA MODERNISM NEOAVANT-GARDE SIMULTANEOUS AVANT-GARDE U.S. LATINO https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
| Sumario: | This series of research seminars, organized in Colombia, Argentina, and Brazil, focused on Latin American and United States Latino art from 1960 to 1990. It challenges the dominant narrative of modernism that places Latin American and Latino art in the margins. Working together, senior scholars and advanced graduate students analyzed the history of Latin American avant-garde and neo-vanguard art from a comparative perspective, focusing on such topics as transnational exchanges among artists and collectives, and the impact of political and economic change. |
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