Altazor and Trilce: Historiographic Ruptures in Latin American Avant-Garde Literature
This work analyzes the avant-garde elements in the work of César Vallejo and Vicente Huidobro, accentuating the aesthetic and autobiographical contrasts of their literary productions, specifically in Trilce (1922) and Altazor (1931), books that mark a radical break in the historiography of Hispanic...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/51677 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/51677 |
| Access Level: | acceso abierto |
| Palabra clave: | literary avant-garde historiography Hispano-American Modernism Creacionismo autobiography vanguardia literaria Historiografía Modernismo hispanoamericano creacionismo autobiografía |
| Sumario: | This work analyzes the avant-garde elements in the work of César Vallejo and Vicente Huidobro, accentuating the aesthetic and autobiographical contrasts of their literary productions, specifically in Trilce (1922) and Altazor (1931), books that mark a radical break in the historiography of Hispanic American literature and a double scission in their authors: the personal and the historical. |
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