Fotografía y práctica performativa : Reflexiones sobre Apnea y Moisés
Focusing on the work of two Argentinian photographers —Apnea (2014-2015), by Cecilia Lutufyan, and Moisés (2014-2015), by Mariela Sancari— this work reflects on the place that the performative practice occupies in the language of photography. In both conceptual quests, the death, which makes an abse...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Argentina |
| Institución: | Universidad Nacional de La Plata |
| Repositorio: | SEDICI (UNLP) |
| Idioma: | español |
| OAI Identifier: | oai:sedici.unlp.edu.ar:10915/71394 |
| Acceso en línea: | http://sedici.unlp.edu.ar/handle/10915/71394 |
| Access Level: | acceso abierto |
| Palabra clave: | Bellas Artes Fotografía práctica performativa documento representación performative practice photography document representation |
| Sumario: | Focusing on the work of two Argentinian photographers —Apnea (2014-2015), by Cecilia Lutufyan, and Moisés (2014-2015), by Mariela Sancari— this work reflects on the place that the performative practice occupies in the language of photography. In both conceptual quests, the death, which makes an absence visible, is questioned and, through the participation of other factors foreign to the project a performed situation is constructed. This situation is the central theme of the representation process that questions the photography as document of what is real. |
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