The influence of the railway and the central station in the transformation of the urban landscape of São José do Rio Pardo/SP-Brazil

The present work presents the modernization caused by the railway in the constitution of the urban landscape between the end of the 19th century and the beginning of the 20th century, considering as a clipping the city of São José do Rio Pardo, located in the northeast of the state of São Paulo, Bra...

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Detalhes bibliográficos
Autores: Cappellari de Rezende, Natalia, Pereira de Castro e Silva Bortolucci, Maria Angela
Tipo de documento: artigo
Estado:Versão publicada
Data de publicação:2022
País:Uruguay
Recursos:Universidad ORT Uruguay
Repositório:RAD
Idioma:inglês
espanhol
OAI Identifier:oai:rad.ort.edu.uy:20.500.11968/4778
Acesso em linha:https://revistas.ort.edu.uy/anales-de-investigacion-en-arquitectura/article/view/3293
http://hdl.handle.net/20.500.11968/4778
Access Level:Acceso aberto
Palavra-chave:Railway
stations
urban modernization
landscape
São José do Rio Pardo - city
Ferrocarril
estaciones
modernización urbana
paisaje urbano
São José do Rio Pardo - ciudad
Ferrovia
estações
modernização urbana
paisagem urbana
São José do Rio Pardo - cidade
Descrição
Resumo:The present work presents the modernization caused by the railway in the constitution of the urban landscape between the end of the 19th century and the beginning of the 20th century, considering as a clipping the city of São José do Rio Pardo, located in the northeast of the state of São Paulo, Brazil. The analyses are based on the decisive influence of the construction of the railway structure, which stood out in the development and configuration of the Rio-Pardense urban space as part of a dynamic work. To this end, this article contextualises and characterises the material properties of the Central Station, emphasizing its influence on the conformation of the landscape. Diverse primary sources were used in this study, such as reports of the Mogiana Railway Company, building projects, registration plan, news, and a vast iconographic collection. The theoretical framework consists of the contributions of Santos (2004, 2012), especially on the concepts of landscape and roughness.