El sol sale dos veces sobre el río
A story at the crossroads of a reflection on the possibility of conceptual dismantling of some optical devices of representation and the figure of Alexandra David-Néel –one of the first anarchist, feminist and traveler women in history– in order to wonder, attending to their mutual illuminations and...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2023 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.pucp.edu.pe:20.500.14657/199283 |
| Acceso en línea: | https://revistas.pucp.edu.pe/index.php/croma/article/view/28100/26047 https://doi.org/10.18800/croma.202301.010 |
| Access Level: | acceso abierto |
| Palabra clave: | Stereoscopic photography Gap Distance Fiction Travel Anarchism Alexandra David-Néel Fotografía estereoscópica Desfase Distancia Ficción Viaje Anarquismo https://purl.org/pe-repo/ocde/ford#6.04.01 |
| Sumario: | A story at the crossroads of a reflection on the possibility of conceptual dismantling of some optical devices of representation and the figure of Alexandra David-Néel –one of the first anarchist, feminist and traveler women in history– in order to wonder, attending to their mutual illuminations and their obscurities, about the powers and impotence of distance. |
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