El género confesional como dimensión filosófica-literaria en María Zambrano y Rosa Chacel
In this work we intend to explore, from the works of María Zambrano and Rosa Chacel (both disciples of José Ortega y Gasset), the recovery of the confessional genre as a founding philosophical-literary dimension in their works. For this, we rely on a point of convergence in Zambrano and Chacel, wher...
| Autores: | , , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Perú |
| Institución: | Universidad Femenina del Sagrado Corazón |
| Repositorio: | Revistas - Universidad Femenina del Sagrado Corazón |
| Idioma: | español |
| OAI Identifier: | oai:revistas.unife.edu.pe:article/2546 |
| Acceso en línea: | https://revistas.unife.edu.pe/index.php/phainomenon/article/view/2546 |
| Access Level: | acceso abierto |
| Palabra clave: | Confesión culpa memoria voluntad revelación angustia razón poética historia Confession sin memory will revelation anguish poetic reason history |
| Sumario: | In this work we intend to explore, from the works of María Zambrano and Rosa Chacel (both disciples of José Ortega y Gasset), the recovery of the confessional genre as a founding philosophical-literary dimension in their works. For this, we rely on a point of convergence in Zambrano and Chacel, where the Confession is presented as the horizon of revelation from a narrative of the self, for the recognition of biographical-self-referential elements. We try to show that the confessional genre, although it is a substantive part of the anthropological-literary treatment that both authors carry out, also leads to being a renewal proposal for contemporary man. |
|---|