Before and after Netflix? Changes in the production and narratives of serial fiction in Argentina (2013-2022)
Argentine serial fiction has lost presence on open television in the country during the last decade. It is a multi-causal phenomenon that, however, finds a milestone in the disruption of global video-on-demand platforms as producers of local fiction as of 2018, a fact that allows us to understand th...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Idioma: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/27209 |
| Acceso en línea: | http://revistas.pucp.edu.pe/index.php/conexion/article/view/27209 |
| Access Level: | acceso abierto |
| Palabra clave: | Serial fiction Platforms Video on demand Broadcast television Fictional narratives Ficción seriada Plataformas Video bajo demanda Televisión abierta Narrativas ficcionales |
| Sumario: | Argentine serial fiction has lost presence on open television in the country during the last decade. It is a multi-causal phenomenon that, however, finds a milestone in the disruption of global video-on-demand platforms as producers of local fiction as of 2018, a fact that allows us to understand the mutations of Argentine fiction both in terms of production and narratives. The aim of this paper is to describe and analyze the mutations in both dimensions in the period between 2013 and 2022, a time frame that allows a reading before and after the disruption of the platforms. It is based on a mixed methodological design that combines the evolution of market data with the analysis of fictional narratives. The conclusions highlight the central finding of the work: the extinction of serial fiction from the open television screen, and its recreation from other formats and thematic and narrative keys on large video platforms. |
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