Del Paraguay del centenario a la antigüedad clásica. Superposición de temporalidades en Canto secular (1911) de Eloy Fariña Núñez
In 1911, Eloy Fariña Núñez published in Buenos Aires the long poem Canto secular to commemorate the centenary of Paraguay’s independence. The work displays a modernist stamp, but it also involves some features of Arielism, a Latin American political philosophy that brought youth to the fore and reco...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.pucp.edu.pe:20.500.14657/187256 |
| Acceso en línea: | https://revistas.pucp.edu.pe/index.php/lexis/article/view/25446/24004 https://repositorio.pucp.edu.pe/index/handle/123456789/187256 https://doi.org/10.18800/lexis.202201.011 |
| Access Level: | acceso abierto |
| Palabra clave: | Paraguay Nation Poetry Arielism Nación Poesía Arielismo https://purl.org/pe-repo/ocde/ford#6.02.06 |
| Sumario: | In 1911, Eloy Fariña Núñez published in Buenos Aires the long poem Canto secular to commemorate the centenary of Paraguay’s independence. The work displays a modernist stamp, but it also involves some features of Arielism, a Latin American political philosophy that brought youth to the fore and recognized a double American and Greco-Latin cultural ancestry. This article proposes an intertextual and interdiscursive approach to Canto secular, in order to discover in the poem a literary operation of foundation of an enunciative locus where two spatiotemporal coordinates, both literary recreated, overlap: the peasant Paraguay in the transition towards urbanity, and classical antiquity synthesized in some legal values and models. |
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