El grotesco como transpoética y su territorialización en el “grotesco criollo”
Based on the analysis of Mateo (1923) by Armando Discépolo, we reflect on the “grotesco criollo”, a poetics of Argentine theater that begins with this dramatic text, as a territorialization of the transpoetics of the grotesque. We understand transpoetics in terms of Comparative Theater and Comparati...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Fecha de publicación: | 2025 |
| País: | Perú |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Idioma: | español |
| OAI Identifier: | oai:repositorio.pucp.edu.pe:20.500.14657/205146 |
| Acceso en línea: | https://revistas.pucp.edu.pe/index.php/kaylla/article/view/30998/28110 http://hdl.handle.net/20.500.14657/205146 https://doi.org/10.18800/kaylla.202501.003 |
| Access Level: | acceso abierto |
| Palabra clave: | Theater Comparative Theater Theatrical Poetics Comparative Poetics Teatro Teatro Comparado Poética Teatral Poética Comparada https://purl.org/pe-repo/ocde/ford#6.04.04 |
| Sumario: | Based on the analysis of Mateo (1923) by Armando Discépolo, we reflect on the “grotesco criollo”, a poetics of Argentine theater that begins with this dramatic text, as a territorialization of the transpoetics of the grotesque. We understand transpoetics in terms of Comparative Theater and Comparative Theatrical Poetics, as a long-lasting poetics which remains constant through the centuries and is territorialized in each epoch and each context with specific variations. |
|---|